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	<title>Drawing from Line to Life &#187; Tips &amp; Tricks</title>
	<atom:link href="http://www.sibleyfineart.com/_blog/category/tips-tricks/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.sibleyfineart.com/_blog</link>
	<description>Drawing Lessons, Workshops, Tutorials, Books and Art</description>
	<lastBuildDate>Sun, 22 Jan 2012 19:21:30 +0000</lastBuildDate>
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		<title>How To Draw Trees</title>
		<link>http://www.sibleyfineart.com/_blog/2012/01/how-to-draw-trees/</link>
		<comments>http://www.sibleyfineart.com/_blog/2012/01/how-to-draw-trees/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 19:21:30 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw tree]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[foliage]]></category>
		<category><![CDATA[Pen & Ink]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=717</guid>
		<description><![CDATA[Artist Stephen Sample, who works in Pen &#38; Ink, emailed me to ask:<br /><br />
"I have been working on trees for the last couple of years, and they turn out pretty nice but, although it looks fairly like a tree, it is not even close to as defined as the trees that you are drawing. In doing the leaves, do you do more of a small random dash, or perhaps is it more of a dot?"<br /><br />

Your trees are missing depth. I'll concentrate on the central one, which is fan-like - a series of radiating ribs with leaves attached. However, there is some depth, as a few of your leaf masses appear in front of some of the branches. Bear in mind that a tree is basically a deformed ball...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Problems with Proportion?</title>
		<link>http://www.sibleyfineart.com/_blog/2012/01/problems-with-proportion/</link>
		<comments>http://www.sibleyfineart.com/_blog/2012/01/problems-with-proportion/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 14:38:53 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[drawing]]></category>
		<category><![CDATA[grid method]]></category>
		<category><![CDATA[gridding]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[proportion]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=703</guid>
		<description><![CDATA[I was recently asked:
<blockquote>
I have been drawing portraits for a couple months but am still having a hard time with proportions. I'm finding angled faces hard to draw and I always end up distorting them into looking straight ahead and it looks wrong.
</blockquote>

I think "looking straight ahead" might give me a clue to the problem.  You haven't yet taught yourself to see what is really there and you are drawing what you <i>think</i> is there.  That's a very common problem and one that you have to work at to overcome...
]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2012/01/problems-with-proportion/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Are my leads GRAPHITE or CARBON?</title>
		<link>http://www.sibleyfineart.com/_blog/2011/11/graphite-or-carbon-leads/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/11/graphite-or-carbon-leads/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 14:16:37 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[clutch pencil]]></category>
		<category><![CDATA[graphite leads]]></category>
		<category><![CDATA[graphite pencils]]></category>
		<category><![CDATA[graphite v carbon]]></category>
		<category><![CDATA[pencil]]></category>
		<category><![CDATA[staedtler carbon leads]]></category>
		<category><![CDATA[staedtler leads]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=693</guid>
		<description><![CDATA["You present drawings and drawing instruction in graphite. But the tools you use - particularly the Staedtler clutch pencils and leads are actually carbon, at least here in the US they are."<br />,br>
This a Staedtler "problem" I'm often asked about - particularly when an artist has ordered Lumograph "graphite" but received a pack of "carbon" leads. I have in my possession elderly packs of 2mm "graphite" leads and the more recent "carbon" leads...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/11/graphite-or-carbon-leads/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Drawing Tree Bark</title>
		<link>http://www.sibleyfineart.com/_blog/2011/11/drawing-tree-bark/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/11/drawing-tree-bark/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 19:17:33 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw tree]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[foliage]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=679</guid>
		<description><![CDATA[Tony recently wrote to me asking:  "Whilst I'm getting on OK with the dog, I've tried all sorts of techniques to do the bark without success. Any pointers you can give me would be greatly appreciated."<br /><br />
I'll cover HOW later but first I want to question the WHY. Why do you want to include the bark? Is it simply because it appears in the background of your photograph? Is it connected with your dog? Does it tell us, the viewers, anything about the dog? In brief: if it doesn't add anything to the story being told then it's probably best...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/11/drawing-tree-bark/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Colour or Black &amp; White?</title>
		<link>http://www.sibleyfineart.com/_blog/2011/11/colour-or-black-white/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/11/colour-or-black-white/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 22:05:09 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[B&W]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[color v graphite]]></category>
		<category><![CDATA[colour]]></category>
		<category><![CDATA[working in color]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=659</guid>
		<description><![CDATA[Artist Ginger Brady emailed me to ask:<br />
"I am wondering if you get asked by many people if you would do your drawings in color instead of Black &#38; White? I miss my Graphite pictures and I feel like I've been wasting a lot of time trying to make others happy."<br /><br />
Been there, done that, Ginger. And like you, I found that "working for others" didn't appeal. I had to stay with the medium I really care for and working for "me".  That's what art is about, isn't it? Expressing your love or feelings for something. Displaying the subject to your viewers and saying "Look at this. No, look closer. See what a beautiful creation this is."  To my mind, there's a world of difference between...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/11/colour-or-black-white/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Dog Drawing critique</title>
		<link>http://www.sibleyfineart.com/_blog/2011/02/dog-drawing-critique/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/02/dog-drawing-critique/#comments</comments>
		<pubDate>Wed, 23 Feb 2011 23:50:54 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[dog]]></category>
		<category><![CDATA[drawing hair]]></category>
		<category><![CDATA[shading]]></category>
		<category><![CDATA[three-dimensional]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=502</guid>
		<description><![CDATA[Molly wrote: "I sent you a few of my pet portraits a few years ago and you were kind enough to give me a free critique.  I purchased your book and have studied it, but still am struggling with my drawings."<br /><br />
You've developed a good eye, and you show a good understanding of what you are attempting to draw. The Rottweiler's nose, for example, is perfectly shaped - and you've certainly captured the character of this lovely dog! However, I think you're too focussed on the reference, and drawing without really being aware of the three-dimensional shape that you're depicting.<br /><br />You are very accurate with the growth direction of the hair but reacting, I think, to the tones you see before you without asking yourself what they represent... ]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/02/dog-drawing-critique/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drawing Trees</title>
		<link>http://www.sibleyfineart.com/_blog/2011/02/drawing-trees/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/02/drawing-trees/#comments</comments>
		<pubDate>Wed, 23 Feb 2011 22:31:07 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw tree]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[foliage]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=490</guid>
		<description><![CDATA[Having read my book <a href="http://www.sibleyfineart.com/pencil-drawing-book.htm">"Drawing from Line to Life"</a>, Rob emailed me to ask...
<blockquote>
I admire your attention to detail without the sacrifice of the 'drawing' appeal in your pictures.  I was wondering, when drawing trees you mention drawing the internal structure.  Are you advocating that when setting out to draw a tree you would draw the internal structure first...</blockquote>]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/02/drawing-trees/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Working on a slant</title>
		<link>http://www.sibleyfineart.com/_blog/2011/01/working-on-a-slant/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/01/working-on-a-slant/#comments</comments>
		<pubDate>Mon, 10 Jan 2011 17:26:40 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[drawing board]]></category>
		<category><![CDATA[drawing table]]></category>
		<category><![CDATA[how to draw]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=452</guid>
		<description><![CDATA[The practice of drawing on a tilted drawing board is universally accepted because it minimises parallax errors. Although you may be looking directly down at the base of your drawing, parallax distortion occurs because the top of your drawing is angled away from you...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/01/working-on-a-slant/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Colour Shapers</title>
		<link>http://www.sibleyfineart.com/_blog/2010/11/370/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/11/370/#comments</comments>
		<pubDate>Tue, 30 Nov 2010 23:09:30 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[blender]]></category>
		<category><![CDATA[blending]]></category>
		<category><![CDATA[colour shaper]]></category>
		<category><![CDATA[drawing]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=370</guid>
		<description><![CDATA[Kevin emailed to ask "I read in your book (Line to Life) that you use colour shapers sometimes for blending. I would like to buy a set but I was not aware that they came in different sizes. Could you please advise me?"<br /><br />
When I see a tool, however far removed from drawing, and it looks useful I just <b>have</b> to try it :)<br /><br />
Colour Shapers are intended for painters but I find then ideal for blending in tight spots. Unlike tortillons or stumps, they don't absorb much graphite...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/11/370/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drawing Skies</title>
		<link>http://www.sibleyfineart.com/_blog/2010/10/drawing-skies/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/10/drawing-skies/#comments</comments>
		<pubDate>Sat, 02 Oct 2010 13:22:23 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[applying flat tone]]></category>
		<category><![CDATA[drawing skies]]></category>
		<category><![CDATA[shading]]></category>
		<category><![CDATA[skies]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=311</guid>
		<description><![CDATA[Gary posed another question:<br /><br />
Can you offer any advice on how you tackle skies?<br /><br />
Skies are more important than I once realised! I used to leave the areas white but I soon discovered that adding even a light tone to skies immediately increased the brilliance of highlights within the drawing.<br /><br />
Applying an overall, smooth tone to skies can present technical problems; there should be a total absence of line and smoothly graduated changes of value. Any marks that don't conform to Nature immediately reduce your carefully rendered realism to mere "drawing". I've developed a technique to overcome both faults. Try this: practice drawing a line that drops gently onto the paper... ]]></description>
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		<slash:comments>0</slash:comments>
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