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	<title>Drawing from Line to Life &#187; art lessons</title>
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	<link>http://www.sibleyfineart.com/_blog</link>
	<description>Drawing Lessons, Workshops, Tutorials, Books and Art</description>
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		<title>Fixatives for pencil drawings</title>
		<link>http://www.sibleyfineart.com/_blog/2010/06/fixatives-for-pencil-drawings/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/06/fixatives-for-pencil-drawings/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 20:05:58 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[fixative]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=165</guid>
		<description><![CDATA[I am by no means an expert on this matter but I do always use a fixative on my drawing on completion. In my case I use Winsor &#038; Newton's "Fixative for Pastel, Charcoal and Pencil". A good fixative not only fixes the loose graphite to the paper to prevent smudging, it also contains a UV filter to help to prevent yellowing (or aging) of the paper by sunlight.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mounted or Unmounted paper?</title>
		<link>http://www.sibleyfineart.com/_blog/2010/06/mounted-or-unmounted-paper/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/06/mounted-or-unmounted-paper/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 19:22:33 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[drawing paper]]></category>
		<category><![CDATA[mounting]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=157</guid>
		<description><![CDATA[I don't ever mount my drawing paper mainly because I detest any "bounce" in the paper as I'm drawing.  A smooth and hard surface beneath my Mellotex means that the mark I make is the mark as I intended it - not one that sinks into a soft surface that interferes with my control. If your paper is lightweight, change to a heavier weight...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Drawing Paper Repairs</title>
		<link>http://www.sibleyfineart.com/_blog/2010/03/repairing-drawing-paper/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/03/repairing-drawing-paper/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 22:18:09 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[damaged]]></category>
		<category><![CDATA[drawing papers]]></category>
		<category><![CDATA[repair]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=147</guid>
		<description><![CDATA[<b>I have done the unthinkable on one of my favourite artpieces...Is there a way to cover damaged final drawing paper?<br />
I have one solution that you might try if the surface is only suffering from raised fibres - I've used it myself with some success in localised areas.  Take a fingernail emery board, stroke it lightly along the area, <i>following the grain of the paper</i>, to realign the fibres...</b>]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/03/repairing-drawing-paper/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Human Portraiture</title>
		<link>http://www.sibleyfineart.com/_blog/2010/02/human-portraiture/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/02/human-portraiture/#comments</comments>
		<pubDate>Sun, 07 Feb 2010 20:16:53 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[Drawing From Line to Life]]></category>
		<category><![CDATA[drawing instruction book]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[yahoo group]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=135</guid>
		<description><![CDATA[There is a small Yahoo! group of artists that I belong to, run by Diane Wright called "Drawing Line to Life". Diane started the group to study my book of the same title and, over the last few months, she has started to review the book again. We have reached Chapter 8 -  where I demonstrate drawing my granddaughter Charlotte - and she has decided to expand the topic to encompass human portraiture, which we'll discuss over the next eight weeks.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Drawing Workshop co-organisers wanted</title>
		<link>http://www.sibleyfineart.com/_blog/2009/09/drawing-workshop-co-organisers-wanted/</link>
		<comments>http://www.sibleyfineart.com/_blog/2009/09/drawing-workshop-co-organisers-wanted/#comments</comments>
		<pubDate>Sat, 19 Sep 2009 20:22:30 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[drawing]]></category>
		<category><![CDATA[organiser]]></category>
		<category><![CDATA[pencil]]></category>
		<category><![CDATA[workshop]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=114</guid>
		<description><![CDATA[Following a successful workshop tour of the USA this year it&#8217;s time to begin planning for next year. Nothing beats local knowledge, so I&#8217;m always grateful to receive assistance from my local co-organisers and in return I offer a free workshop.
USA &#38; CANADA 2010
I&#8217;m planning to visit the US twice in 2010 &#8211; in May/June [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Drawing Papers and Drawing Sizes</title>
		<link>http://www.sibleyfineart.com/_blog/2009/03/drawing-papers-and-drawing-sizes/</link>
		<comments>http://www.sibleyfineart.com/_blog/2009/03/drawing-papers-and-drawing-sizes/#comments</comments>
		<pubDate>Tue, 10 Mar 2009 22:18:57 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[drawing course]]></category>
		<category><![CDATA[drawing papers]]></category>
		<category><![CDATA[drawspace]]></category>
		<category><![CDATA[mellotex]]></category>
		<category><![CDATA[plate finish]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=111</guid>
		<description><![CDATA[PAPERS AND PAPER MATTERS
Earlier today I was contacted by an artist who has signed up to my 10-week correspondence course &#8211; the first one I&#8217;m running at DrawSpace.com. She had a query about the Mellotex paper she had just purchased from my website&#8217;s shop.  She asked:

I ordered both the Super White and the Ultra [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Negative Drawing &#8211; part 3</title>
		<link>http://www.sibleyfineart.com/_blog/2008/12/negative-drawing-part-3/</link>
		<comments>http://www.sibleyfineart.com/_blog/2008/12/negative-drawing-part-3/#comments</comments>
		<pubDate>Wed, 31 Dec 2008 16:17:46 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Blu-Tack]]></category>
		<category><![CDATA[draw white hair]]></category>
		<category><![CDATA[drawing hair]]></category>
		<category><![CDATA[negative drawing]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=103</guid>
		<description><![CDATA[MANAGEMENT
We previously explored the ways that Negative Drawing can:

Allow you to concentrate on one texture at a time.
Draw a structure without reference to it&#8217;s three-dimensional  shaping.
Divide any area into a collection of easily-managed elements.

Don&#8217;t try to draw many textures at one time. To draw effectively, you must understand the area you are working on, [...]]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2008/12/negative-drawing-part-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Negative Drawing &#8211; part 2</title>
		<link>http://www.sibleyfineart.com/_blog/2008/12/negative-drawing-part-2/</link>
		<comments>http://www.sibleyfineart.com/_blog/2008/12/negative-drawing-part-2/#comments</comments>
		<pubDate>Thu, 04 Dec 2008 16:16:14 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Blu-Tack]]></category>
		<category><![CDATA[drawing]]></category>
		<category><![CDATA[negative drawing]]></category>
		<category><![CDATA[negative space]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=96</guid>
		<description><![CDATA[NEGATIVE DRAWING
Negative drawing enables you to perform tasks easily. We previously saw:

How we can control separation of background, midground and foreground elements.
How we can isolate those areas we don&#8217;t yet understand.
How Negative Drawing protect our virgin whites.

Negative drawing involves the creation (or isolation) of an element within your drawing by simply drawing around it. To [...]]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2008/12/negative-drawing-part-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Negative Drawing &#8211; part 1</title>
		<link>http://www.sibleyfineart.com/_blog/2008/11/negative-drawing-part-1/</link>
		<comments>http://www.sibleyfineart.com/_blog/2008/11/negative-drawing-part-1/#comments</comments>
		<pubDate>Tue, 25 Nov 2008 16:04:47 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[negative drawing]]></category>
		<category><![CDATA[negative space]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=92</guid>
		<description><![CDATA[Negative drawing involves the creation of a element within your drawing by simply drawing around it. If, for example, you&#8217;re drawing a dog, it is often logical to draw the background first. This presents two benefits: you have an established setting in which you dog can live, so they will possess a unity; and you [...]]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2008/11/negative-drawing-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drawing HAIR the Negative Drawing way</title>
		<link>http://www.sibleyfineart.com/_blog/2008/11/drawing-hair-the-negative-drawing-way/</link>
		<comments>http://www.sibleyfineart.com/_blog/2008/11/drawing-hair-the-negative-drawing-way/#comments</comments>
		<pubDate>Sun, 16 Nov 2008 00:34:06 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw hair]]></category>
		<category><![CDATA[drawing fur]]></category>
		<category><![CDATA[negative drawing]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=84</guid>
		<description><![CDATA[I&#8217;m involved in a series of discussions concerning the relative merits of the different techniques used for drawing hair &#8211; dog hair in particular &#8211; and I&#8217;m arguing for the use of Negative Drawing against the use of applying tone that is then cut through with a sharpened eraser. So, having set the scene, here [...]]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2008/11/drawing-hair-the-negative-drawing-way/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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