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	<title>Drawing from Line to Life &#187; art lessons</title>
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	<link>http://www.sibleyfineart.com/_blog</link>
	<description>Drawing Lessons, Workshops, Tutorials, Books and Art</description>
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		<title>How To Draw Trees</title>
		<link>http://www.sibleyfineart.com/_blog/2012/01/how-to-draw-trees/</link>
		<comments>http://www.sibleyfineart.com/_blog/2012/01/how-to-draw-trees/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 19:21:30 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw tree]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[foliage]]></category>
		<category><![CDATA[Pen & Ink]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=717</guid>
		<description><![CDATA[Artist Stephen Sample, who works in Pen &#38; Ink, emailed me to ask:<br /><br />
"I have been working on trees for the last couple of years, and they turn out pretty nice but, although it looks fairly like a tree, it is not even close to as defined as the trees that you are drawing. In doing the leaves, do you do more of a small random dash, or perhaps is it more of a dot?"<br /><br />

Your trees are missing depth. I'll concentrate on the central one, which is fan-like - a series of radiating ribs with leaves attached. However, there is some depth, as a few of your leaf masses appear in front of some of the branches. Bear in mind that a tree is basically a deformed ball...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2012/01/how-to-draw-trees/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Problems with Proportion?</title>
		<link>http://www.sibleyfineart.com/_blog/2012/01/problems-with-proportion/</link>
		<comments>http://www.sibleyfineart.com/_blog/2012/01/problems-with-proportion/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 14:38:53 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[drawing]]></category>
		<category><![CDATA[grid method]]></category>
		<category><![CDATA[gridding]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[proportion]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=703</guid>
		<description><![CDATA[I was recently asked:
<blockquote>
I have been drawing portraits for a couple months but am still having a hard time with proportions. I'm finding angled faces hard to draw and I always end up distorting them into looking straight ahead and it looks wrong.
</blockquote>

I think "looking straight ahead" might give me a clue to the problem.  You haven't yet taught yourself to see what is really there and you are drawing what you <i>think</i> is there.  That's a very common problem and one that you have to work at to overcome...
]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2012/01/problems-with-proportion/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drawing Tree Bark</title>
		<link>http://www.sibleyfineart.com/_blog/2011/11/drawing-tree-bark/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/11/drawing-tree-bark/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 19:17:33 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw tree]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[foliage]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=679</guid>
		<description><![CDATA[Tony recently wrote to me asking:  "Whilst I'm getting on OK with the dog, I've tried all sorts of techniques to do the bark without success. Any pointers you can give me would be greatly appreciated."<br /><br />
I'll cover HOW later but first I want to question the WHY. Why do you want to include the bark? Is it simply because it appears in the background of your photograph? Is it connected with your dog? Does it tell us, the viewers, anything about the dog? In brief: if it doesn't add anything to the story being told then it's probably best...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/11/drawing-tree-bark/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dog Drawing critique</title>
		<link>http://www.sibleyfineart.com/_blog/2011/02/dog-drawing-critique/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/02/dog-drawing-critique/#comments</comments>
		<pubDate>Wed, 23 Feb 2011 23:50:54 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[dog]]></category>
		<category><![CDATA[drawing hair]]></category>
		<category><![CDATA[shading]]></category>
		<category><![CDATA[three-dimensional]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=502</guid>
		<description><![CDATA[Molly wrote: "I sent you a few of my pet portraits a few years ago and you were kind enough to give me a free critique.  I purchased your book and have studied it, but still am struggling with my drawings."<br /><br />
You've developed a good eye, and you show a good understanding of what you are attempting to draw. The Rottweiler's nose, for example, is perfectly shaped - and you've certainly captured the character of this lovely dog! However, I think you're too focussed on the reference, and drawing without really being aware of the three-dimensional shape that you're depicting.<br /><br />You are very accurate with the growth direction of the hair but reacting, I think, to the tones you see before you without asking yourself what they represent... ]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/02/dog-drawing-critique/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drawing Trees</title>
		<link>http://www.sibleyfineart.com/_blog/2011/02/drawing-trees/</link>
		<comments>http://www.sibleyfineart.com/_blog/2011/02/drawing-trees/#comments</comments>
		<pubDate>Wed, 23 Feb 2011 22:31:07 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[draw tree]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[foliage]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=490</guid>
		<description><![CDATA[Having read my book <a href="http://www.sibleyfineart.com/pencil-drawing-book.htm">"Drawing from Line to Life"</a>, Rob emailed me to ask...
<blockquote>
I admire your attention to detail without the sacrifice of the 'drawing' appeal in your pictures.  I was wondering, when drawing trees you mention drawing the internal structure.  Are you advocating that when setting out to draw a tree you would draw the internal structure first...</blockquote>]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2011/02/drawing-trees/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drawing Skies</title>
		<link>http://www.sibleyfineart.com/_blog/2010/10/drawing-skies/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/10/drawing-skies/#comments</comments>
		<pubDate>Sat, 02 Oct 2010 13:22:23 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[applying flat tone]]></category>
		<category><![CDATA[drawing skies]]></category>
		<category><![CDATA[shading]]></category>
		<category><![CDATA[skies]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=311</guid>
		<description><![CDATA[Gary posed another question:<br /><br />
Can you offer any advice on how you tackle skies?<br /><br />
Skies are more important than I once realised! I used to leave the areas white but I soon discovered that adding even a light tone to skies immediately increased the brilliance of highlights within the drawing.<br /><br />
Applying an overall, smooth tone to skies can present technical problems; there should be a total absence of line and smoothly graduated changes of value. Any marks that don't conform to Nature immediately reduce your carefully rendered realism to mere "drawing". I've developed a technique to overcome both faults. Try this: practice drawing a line that drops gently onto the paper... ]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/10/drawing-skies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tracing and other Transfer Methods</title>
		<link>http://www.sibleyfineart.com/_blog/2010/10/tracing-and-transfer-methods/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/10/tracing-and-transfer-methods/#comments</comments>
		<pubDate>Sat, 02 Oct 2010 11:53:43 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[guidelines]]></category>
		<category><![CDATA[tracing]]></category>
		<category><![CDATA[transfer method]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=307</guid>
		<description><![CDATA[Gary wrote to ask:<br /> 
"Is tracing the outline of a sketch and drawing round this onto a chosen paper a good way to transfer the image? Is there a particular grade of pencil that works best?"<br />
I'm assuming you are referring to the technique of scribbling on the back of the tracing and then drawing over the traced lines to transfer the loose graphite to your paper?  If that is so, then there are a couple of variations that might work for you. First, make yourself a sheet of graphite "carbon" paper by heavily coating one side of a sheet of Mylar or tracing paper with a 6B pencil.  Lightly tape the top edge of your tracing...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/10/tracing-and-transfer-methods/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Negative Drawing &#8211; Tiger&#8217;s ear</title>
		<link>http://www.sibleyfineart.com/_blog/2010/08/negative-drawing-tigers-ear/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/08/negative-drawing-tigers-ear/#comments</comments>
		<pubDate>Thu, 05 Aug 2010 21:13:23 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[drawing fur]]></category>
		<category><![CDATA[drawing hair]]></category>
		<category><![CDATA[ear]]></category>
		<category><![CDATA[negative drawing]]></category>
		<category><![CDATA[tiger]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=226</guid>
		<description><![CDATA[Alexandra emailed me to ask: "I was wondering if you would be able to give me some tips on a tiger's ear I am drawing at the moment."<br /><br />Personally, I'd use negative drawing for almost all of this with just a few narrow indented lines where those lines directly cross over others or where the background is dark. Don't be daunted by the seemingly complex task - split the job up into many stages...
]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/08/negative-drawing-tigers-ear/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Using copyright photographs?</title>
		<link>http://www.sibleyfineart.com/_blog/2010/07/using-copyright-photographs/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/07/using-copyright-photographs/#comments</comments>
		<pubDate>Sat, 31 Jul 2010 20:31:08 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[photographs]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=204</guid>
		<description><![CDATA[If you copy copyright material for your own enjoyment or education, I doubt many photographers will object. However, if you use the image for a commercial purpose you'd better be well insured. When I first began drawing seriously I ran into the problems of using copyrighted material, so now I always work from my own photos. But I've also learned to do without them. I'll explain...]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/07/using-copyright-photographs/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Fixatives for pencil drawings</title>
		<link>http://www.sibleyfineart.com/_blog/2010/06/fixatives-for-pencil-drawings/</link>
		<comments>http://www.sibleyfineart.com/_blog/2010/06/fixatives-for-pencil-drawings/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 20:05:58 +0000</pubDate>
		<dc:creator>Mike Sibley</dc:creator>
				<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[art lessons]]></category>
		<category><![CDATA[fixative]]></category>

		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=165</guid>
		<description><![CDATA[I am by no means an expert on this matter but I do always use a fixative on my drawing on completion. In my case I use Winsor &#038; Newton's "Fixative for Pastel, Charcoal and Pencil". A good fixative not only fixes the loose graphite to the paper to prevent smudging, it also contains a UV filter to help to prevent yellowing (or aging) of the paper by sunlight.]]></description>
		<wfw:commentRss>http://www.sibleyfineart.com/_blog/2010/06/fixatives-for-pencil-drawings/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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